Works
Inspired by the symbol of the drop as a source of life and by Nikola Tesla, these works view life as a continuous flow of energy.
TESLA
DROPS
SLECTED WORKS
MONUMENTS
About the artist
Tesla has fascinated me since childhood, when I heard him say: ‘If I could capture the power of lightning, I would light up the entire globe.’ That’s when I started thinking about him, and the more I learned about him, the more I appreciated him, not only as a genius, but also as a moral leader, which is evident in his every move, from his efforts to create free energy for the entire world to his famous severance of the contract with Westinghouse.
Words carry memories.
Names hold stories.
This sculptural alphabet allows language to become something lasting. Formed by hand, shaped by intention, and present in space. A single letter can mark an origin; a word can hold a relationship, a moment, memory or a promise.
Each commission becomes a personal constellation of forms, crafted by hand, never repeated, and impossible to replicate digitally. Each piece is not only read, but felt; created for those who wish to give meaning a physical form.
Portfolio
Through my sculptures, I wanted to show that figurative art still has so much more to offer.
My intention was to create something truly distinctive — something recognizable, personal, and unseen before.
I wanted my sculptures to be uniquely mine: shaped in broad forms, free of detail.
To fully experience them, they should be viewed from a certain distance — the way I view them myself — because only then do they appear monumental, regardless of their actual size. That sense of monumentality was my intention from the very beginning.
All of my sculptures are a dialogue with my life’s inspiration.
THREE ELNOGATED DROPLETS ON THE LONG BARS I
2005. | Polished Aluminium | 30x30x108 cm
BOSNIAN WOMAN
1980. – 1983. | Bronze | 28x32x43 cm
SALUTATION TO THE SUN
2002. | Patinated acrylic | 20x19x57 cm
TESLA 6
1997. | Terracotta | 60cm
FLAME ll
2012. | Gypsum | 30x30x47 cm
PHOENIX ll
2003. | Bronze | 38x31x40 cm
Early Works
Pero’s early work is rooted in classical sculptural discipline, where form, volume, and material are explored with restraint and precision. These works reveal the foundations of his later artistic language, already marked by a deep sensitivity to human presence and symbolic meaning.
